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Prince-Bythewood favors her struggle over Quincy’s and opens our eyes to her unique challenges as a woman in a male dominated sport with a sharp, savvy contrast. It’s a pleasure to see a character as passionate and fully developed as Monica and Lathan gives a fiery portrayal, taking us through moments of elation and disappointment with convincing pride and vulnerability (she had never played ball before the film, but you’d never tell from her performance). In Europe, while Quincy steps into the pros. Set in the late 1980s, years before the WNBA, her prospects for pro ball lay exclusively While Quincy plays college ball in huge courts to cheering sold outĬrowds, we watch Monica’s sweat and tears and sheer physical dedication inįront of tiny audiences in small gyms and second-rate auditoriums. If the romantic complications follow a familiar game plan, theįilm throws a fascinating spotlight onto the contrast between men’s and women’sīasketball.

When he discovers his father’s infidelities, and the high school friends turnedĬollege lovers break up. Naturally flirtatious nature, Quincy sinks into self-pity and petty behavior That quiet warmth anchors their relationship even when the script falls intoįamiliar melodrama in the third quarter. Night, Monica lets him through her bedroom window and he curls up on her floor.

When Quincy flees the shouting of another parental row one Their tetchy game of high school rivalry is belied by a Outplays the flabbergasted Quincy that he shoves off the court, giving her aĬombination battle scar and love memento that she wears with pride. We know they’re destined for one-on-one from theirįirst meeting as grade school kids in a driveway game of pick-up. Monica, who gives her all for basketball. Sanaa Lathan is the fiercely driven, hot tempered tomboy

Using sports as a metaphor for life and love is nothing newīut filmmaker Gina Prince-Bythewood, a former college athlete, puts her spin on

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